Literature
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{{Cleanup-laundry|date=January 2010}}{{pp-move-indef}}{{otheruses4|(usually written) works|the card game|Literature (card game)}}{{Literature}}
Literature is the
art of
written works. Literally translated, the word means "acquaintance with letters" (from
Latin littera letter), and therefore the academic study of literature is known as
Letters (as in the phrase "
Arts and Letters"). In Western culture the most basic written literary types include
fiction and
nonfiction.
Definitions
People may perceive a difference between "literature" and some popular forms of written work. The terms "
literary fiction" and "
literary merit" serve to distinguish between individual works. Critics may exclude works from the classification "literature," for example, on the grounds of a poor standard of
grammar and
syntax, of an
unbelievable or disjointed
story-line, or of inconsistent or unconvincing
characters.
Genre fiction (for example: romance, crime, or science fiction) may also become excluded from consideration as "literature."
History
missing image!
- Old book bindings.jpg -
Old book bindings at the Merton College library.
One of the earliest known literary works is the
Sumerian
Epic of Gilgamesh, an epic poem dated around
2100 B.C., which deals with themes of heroism, friendship, loss, and the quest for eternal life. Different historical periods have emphasized various characteristics of literature. Early works often had an overt or covert religious or didactic purpose. Moralizing or prescriptive literature stems from such sources. The exotic nature of
romance flourished from the
Middle Ages onwards, whereas the
Age of Reason manufactured nationalistic epics and philosophical
tracts.
Romanticism emphasized the popular folk literature and emotive involvement, but gave way in the 19th-century West to a phase of
realism and
naturalism, investigations into what is real. The 20th century brought demands for
symbolism or
psychological insight in the delineation and development of character.
Poetry
A
poem is a
composition written in
verse (although verse has been equally used for epic and dramatic fiction). Poems rely heavily on
imagery, precise word choice, and
metaphor; they may take the form of measures consisting of patterns of stresses (
metric feet) or of patterns of different-length syllables (as in classical
prosody); and they may or may not utilize
rhyme. One cannot readily characterize
poetry precisely. Typically though, poetry as a form of literature makes some significant use of the
formal properties of the words it uses{{dash}} the properties of the
written or
spoken form of the words, independent of their meaning. Meter depends on
syllables and on
rhythms of speech; rhyme and
alliteration depend on the sounds of words.Poetry perhaps pre-dates other forms of literature: early known examples include the
Sumerian
Epic of Gilgamesh (dated from around
2700 B.C.), parts of the
Bible, the surviving works of
Homer (the
Iliad and the
Odyssey), and the
Indian epics Ramayana and
Mahabharata. In cultures based primarily on oral traditions the formal characteristics of poetry often have a
mnemonic function, and important texts: legal,
genealogical or moral, for example, may appear first in verse form.Some poetry uses specific forms: the
haiku, the
limerick, or the
sonnet, for example. A traditional haiku written in Japanese must have something to do with
nature, contain seventeen onji (syllables), distributed over three lines in groups of five, seven, and five, and should also have a kigo, a specific word indicating a season. A limerick has five lines, with a
rhyme scheme of AABBA, and line lengths of 3,3,2,2,3 stressed syllables. It traditionally has a less reverent attitude towards nature. Poetry not adhering to a formal poetic structure is called "
free verse"Language and tradition dictate some poetic norms: Persian poetry always rhymes, Greek poetry rarely rhymes, Italian or French poetry often does, English and German poetry can go either way. Perhaps the most
paradigmatic style of English poetry, blank verse, as exemplified in works by
Shakespeare and
Milton, consists of unrhymed
iambic pentameters. Some languages prefer longer lines; some shorter ones. Some of these conventions result from the ease of fitting a specific language's vocabulary and grammar into certain structures, rather than into others; for example, some languages contain more rhyming words than others, or typically have longer words. Other structural conventions come about as the result of historical accidents, where many speakers of a language associate good poetry with a verse form preferred by a particular skilled or popular poet.Works for theatre (see below) traditionally took verse form. This has now become rare outside
opera and
musicals, although many would argue that the language of drama remains intrinsically poetic.In recent years,
digital poetry has arisen that takes advantage of the artistic, publishing, and synthetic qualities of digital media.
Prose
Prose consists of writing that does not adhere to any particular formal structures (other than simple
grammar); "non-poetic" writing, perhaps. The term sometimes appears pejoratively, but prosaic writing simply says something without necessarily trying to say it in a
beautiful way, or using beautiful words. Prose writing can of course take beautiful form; but less by virtue of the formal features of words (rhymes, alliteration, metre) but rather by style, placement, or inclusion of graphics. But one need not mark the distinction precisely, and perhaps cannot do so. One area of overlap is "
prose poetry", which attempts to convey using only prose, the aesthetic richness typical of poetry.
Essays
An
essay consists of a discussion of a topic from an author's personal point of view, exemplified by works by
Michel de Montaigne or by
Charles Lamb.'Essay' in English derives from the French 'essai', meaning 'attempt'. Thus one can find open-ended, provocative and/or inconclusive essays. The term "essays" first applied to the self-reflective musings of
Michel de Montaigne, and even today he has a reputation as the father of this literary form.Genres related to the essay may include:
- the memoir, telling the story of an author's life from the author's personal point of view
- the epistle: usually a formal, didactic, or elegant letter.
Fiction
Narrative
fiction (
narrative prose) generally favours prose for the writing of
novels, short stories, graphic novels, and the like. Singular examples of these exist throughout history, but they did not develop into systematic and discrete literary forms until relatively recent centuries. Length often serves to categorize works of prose fiction. Although limits remain somewhat arbitrary, modern
publishing conventions dictate the following:
- A minisaga is a short story of exactly 50 words.
- Flash fiction is generally defined as a piece of prose under a thousand words.
- A short story is prose of between 1000 and 20,000 words (but typically more than 5000 words), which may or may not have a narrative arc.
- A story containing between 20,000 and 50,000 words falls into the novella category. Although this definition is very fluid, with works up to 70,000 words or more being included as novelle.
- A work of fiction containing more than 50,000 words generally falls into the realm of the novel.
A
novel consists simply of a long story written in prose, yet the form developed comparatively recently.
Icelandic prose
sagas dating from about the 11th century bridge the gap between traditional national
verse epics and the modern
psychological novel. In mainland Europe, the
Spaniard Cervantes wrote perhaps the first influential novel:
Don Quixote, the first part of which was published in 1605 and the second in 1615. Earlier collections of
tales, such as the
One Thousand and One Nights,
Giovanni Bocaccio's
Decameron and
Chaucer's
The Canterbury Tales, have comparable forms and would classify as novels if written today. Other works written in classical
Asian and
Arabic literature resemble even more strongly the novel as we now think of it—for example, works such as the Japanese
Tale of Genji by
Lady Murasaki, the Arabic
Hayy ibn Yaqdhan by
Ibn Tufail, the Arabic
Theologus Autodidactus by
Ibn al-Nafis, and the Chinese
Romance of the Three Kingdoms by
Luo Guanzhong.Early novels in Europe did not, at the time, count as significant literature, perhaps because "mere" prose writing seemed easy and unimportant. It has become clear, however, that prose writing can provide aesthetic pleasure without adhering to poetic forms. Additionally, the freedom authors gain in not having to concern themselves with verse structure translates often into a more complex
plot or into one richer in precise detail than one typically finds even in narrative poetry. This freedom also allows an author to experiment with many different literary and presentation styles—including poetry—in the scope of a single novel.
Other prose literature
Philosophy,
history,
journalism, and legal and scientific writings traditionally ranked as literature. They offer some of the oldest prose writings in existence; novels and prose stories earned the names "
fiction" to distinguish them from factual writing or
nonfiction, which writers historically have crafted in prose.The "literary" nature of science writing has become less pronounced over the last two centuries, as advances and specialization have made new scientific research inaccessible to most audiences; science now appears mostly in
journals. Scientific works of
Euclid,
Aristotle,
Copernicus, and
Newton still possess great value; but since the science in them has largely become outdated, they no longer serve for scientific instruction, yet they remain too technical to sit well in most programmes of literary study. Outside of "
history of science" programmes students rarely read such works. Many books "popularizing" science might still deserve the title "literature"; history will tell.Philosophy, too, has become an increasingly academic discipline. More of its practitioners lament this situation than occurs with the sciences; nonetheless most new philosophical work appears in
academic journals. Major philosophers through history—
Plato,
Aristotle,
Augustine,
Descartes,
Nietzsche—have become as canonical as any writers. Some recent philosophy works are argued to merit the title "literature", such as some of the works by
Simon Blackburn; but much of it does not, and some areas, such as
logic, have become extremely technical to a degree similar to that of
mathematics.A great deal of historical writing can still rank as literature, particularly the genre known as
creative nonfiction. So can a great deal of journalism, such as
literary journalism. However these areas have become extremely large, and often have a primarily utilitarian purpose: to record data or convey immediate information. As a result the writing in these fields often lacks a literary quality, although it often and in its better moments has that quality. Major "literary" historians include
Herodotus,
Thucydides and
Procopius, all of whom count as canonical literary figures.
Law offers a less clear case. Some writings of
Plato and
Aristotle, or even the early parts of the
Bible, might count as legal literature. The law tables of
Hammurabi of
Babylon might count.
Roman civil law as codified in the
Corpus Juris Civilis during the reign of
Justinian I of the
Byzantine Empire has a reputation as significant literature. The founding documents of many countries, including the
United States Constitution, can count as literature; however legal writing now rarely exhibits literary merit.
Game design scripts are never seen by the player of a game and only by the developers and/or publishers to help them understand, visualize and maintain consistency while collaborating in creating a game, the audience for these pieces is usually very small. Still, many game scripts contain immersive stories and detailed worlds making them a hidden literary genre.Most of these fields, then, through specialization or proliferation, no longer generally constitute "literature" in the sense under discussion. They may sometimes count as "literary literature"; more often they produce what one might call "technical literature" or "professional literature".
Drama
A
play or
drama offers another classical literary form that has continued to evolve over the years. It generally comprises chiefly
dialogue between
characters, and usually aims at dramatic / theatrical
performance (see
theatre) rather than at reading. During the eighteenth and nineteenth centuries,
opera developed as a combination of poetry, drama, and
music. Nearly all drama took verse form until comparatively recently. Shakespeare could be considered drama.
Romeo and Juliet, for example, is a classic romantic drama generally accepted as literature.
Greek drama exemplifies the earliest form of drama of which we have substantial knowledge.
Tragedy, as a dramatic
genre, developed as a performance associated with
religious and civic
festivals, typically enacting or developing upon well-known
historical or
mythological themes. Tragedies generally presented very serious
themes. With the advent of newer technologies, scripts written for non-stage media have been added to this form.
War of the Worlds (radio) in 1938 saw the advent of literature written for radio broadcast, and many works of Drama have been adapted for film or television. Conversely, television, film, and radio literature have been adapted to printed or electronic media.
Oral literature
The term
oral literature refers not to written, but to oral traditions, which includes different types of
epic,
poetry and
drama,
folktales,
ballads,
legends,
jokes, and other genres of
folklore. It exists in every society, whether literate or not. It is generally studied by
folklorists, or by scholars committed to
cultural studies and
ethnopoetics, including
linguists,
anthropologists, and even
sociologists.
Other narrative forms
- Electronic literature is a literary genre consisting of works which originate in digital environments.
- Films, videos and broadcast soap operas have carved out a niche which often parallels the functionality of prose fiction.
- Graphic novels and comic books present stories told in a combination of sequential artwork, dialogue and text.
Genres of literature
A literary genre refers to the traditional divisions of literature of various kinds according to a particular criterion of writing. See
the list of literary genres.List of literary genres
Literary techniques
A
literary technique or
literary device can be used by works of literature in order to produce a specific effect on the reader. Literary technique is distinguished from
literary genre as
military tactics are from
military strategy. Thus, though
David Copperfield employs satire at certain moments, it belongs to the genre of comic novel, not that of satire. By contrast,
Bleak House employs satire so consistently as to belong to the genre of satirical novel. In this way, use of a technique can lead to the development of a new genre, as was the case with one of the first modern novels,
Pamela by
Samuel Richardson, which by using the epistolary technique strengthened the tradition of the
epistolary novel, a genre which had been practiced for some time already but without the same acclaim.
Literary criticism
Also see: Literary criticism, Literary history, Literary theoryLiterary criticism implies a critique and evaluation of a piece of literature and in some cases is used to improve a work in progress or classical piece. There are many types of literary criticism and each can be used to critique a in a different way or critique a different aspect of a piece.
Legal status
UK
Literary works have been protected by copyright law from unauthorised reproduction since at least 1710.
(1) Literary works are defined by copyright law to mean
any work, other than a dramatic or musical work, which is written, spoken or sung, and accordingly includes (a) a table or compilation (other than a database), (b) a computer program, (c) preparatory design material for a computer program, and (d) a database.It should be noted that literary works are not limited to works of literature, but include all works expressed in print or writing (other than dramatic or musical works).
(2)See also
{{Wikipedia-Books}}
- Lists
- Related topics
- Associations devoted to the study of language and literature
Notes
-
[The Statute of Anne 1710 and the Literary Copyright Act 1842 used the term "book". However, since 1911 the statutes have referred to literary works.]
-
[University of London Press v. University Tutorial Press [1916]]
External links
{{sisterlinks}}
{{Fiction writing}}
Letterkundeሥነ ጽሑፍأدب(roa-rup:Literatura)
Ədəbiyyatসাহিত্য(zh-min-nan:Bûn-ha̍k)
ӘҙәбиәтЛітаратура(be-x-old:Літаратура)
KnjiževnostLiteraturaLiteraturaLittiraturaLlenyddiaethLitteraturLiteraturKirjandusΛογοτεχνίαLiteraturaLiteraturoLiteraturaادبیاتBókmentirLittératureLiteratuerLitríochtLettyraghtLitreachasLiteraturaસાહિત્ય문학साहित्यKnjiževnostSastraLitteraturaBókmenntirLetteraturaספרותSastraლიტერატურაFasihiWêjeວັນນະຄະດີLitteraeLiteratūraLiteratūraIrodalomЛитератураസാഹിത്യംKesusasteraanLiteratuur(nds-nl:Literatuur)
साहित्य文学LitteraturLiteraturaادبياتLiteraturLiteraturaLiteraturaLiteraturăSimi kapchiyЛитератураप्राचीन साहित्यम्LetërsiaLiteratureLiteratúraKnjiževnostКњижевностKnjiževnostKirjallisuusLitteraturPanitikanஇலக்கியம்ӘdәbiyatวรรณกรรมАдабиётEdebiyatЛітератураادبVwnzyozVăn chương(fiu-vro:Kirändüs)
NjàngatליטעראטורLítíréṣọ̀(zh-yue:文學)(bat-smg:Literatūra)
文学
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